Cock-tales and pum-pum, 2017
vinyl, ceramics, cedar wood, paint, rum, assortment of found bottles varied sizes speakers.
Installed at the National Gallery of Jamaica for 'We have met before' and for my solo show 'Belisario and the sound boy'
I created this series of experiments about Caribbean identity as a by-product of colonial commerce.
It's a comment on a lost identity transformed (or bottled) for the sake of commercial gain.