Cock-tales and pum-pum, 2017

vinyl, ceramics, cedar wood, paint, rum, assortment of found bottles varied sizes speakers.

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Installed at the National Gallery of Jamaica for 'We have met before' and for my solo show 'Belisario and the sound boy'

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I created this series of experiments about Caribbean identity as a by-product of colonial commerce.

It's a comment on a lost identity transformed (or bottled) for the sake of commercial gain.